May 29-June 2
The Castro Theatre
|Two thirds of Undergroound's Tube set love triangle|
Film noir is a fluid genre, unlike the Western or the science fiction film, not everyone agrees on what a film noir is. Traditionally, noir has been defined as an exclusively American crime genre with certain stylistic and story elements: black and white high contrast cinematography, the femme fatale and the protagonist led to an inevitable doom. However, many include Technicolor films like Leave Her to Heaven in the noir canon, and there has been a critical awakening to the fact that countries other the U.S. in the 40s and 50s produced film noirs. Similarly, noirs antecedents have been posited and reevaluated. Typically noir’s roots are traced back to the German Expressionism, the Hollywood gangster films of the 30s and the Hardboiled school of pulp fiction. The Film Noir Foundation has been trying to explore the question of what noir is with the international bent of this year’s NOIRCITY film festivals and expanded editorial outlook of its NOIR CITY e-magazine which includes a regular feature entitled “Silent Noir”.
|Will the good guy finish last?|
|Director Ozu proves a deft hand with the gangster genre|
|Urban despair in 1929 Berlin|
To buy tickets or find out more about the festival, visit SilentFilm.org