Coverage of the Seattle International
Film Festival and year-round art house
programming in the Pacific Northwest.
Kathy Fennessy is President of the Seattle Film Critics Society, a Northwest Film Forum board member, and a Tomatometer-approved critic. She writes or has written for Amazon, Minneapolis's City Pages, Resonance, Rock and Roll Globe, Seattle Sound, and The Stranger.
Member: IBEW and SAG-AFTRA.
Saturday, July 9, 2011
Sons of an Apple Polisher: I Was Born, But...
An Adult's Picture Book View - I Was Born, But… (1932)
Friday July 15, 4.15pm, The Castro, San Francisco
Two brothers move to a new town and learn that the ways of the schoolyard and the ways of adulthood are not so different. Keiji and Ryoichi play hooky to avoid a bully, are shamed by their father's subservience to his boss, and challenge authority while relying on each other.
An idyllic portrait of suburban life and emerging adolescence in pre-war Japan, I Was Born, But… (1932) is a well-suited introduction to the great director of social commentary, Yasujiro Ozu. Never was so much value placed on a sparrow's egg, so much pragmatism on a pair of unsharpened pencils or so much love conveyed in the eyes of a parent. I Was Born But… survives with a handful Ozu's silent films as the work of an emerging master. Unassumingly hilarious, modestly sentimental and uniquely Ozu, I was Born, But… ultimately transcends its cultural boundaries as a universal celebration of childhood.
The 16th Annual San Francisco Silent Film Festival and the Center for Asian American Media present Yasujiro Ozu's silent masterpiece, I Was Born, But… (1932), with live musical accompaniment performed by returning pianist Stephen Horne.
Huckleberry Finn at 2pm should make a sensational double feature with this film!
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