Coverage of the Seattle International
Film Festival and year-round art house
programming in the Pacific Northwest.
Kathy Fennessy is President of the Seattle Film Critics Society, a Northwest Film Forum board member, and a Tomatometer-approved critic. She writes or has written for Amazon, Minneapolis's City Pages, Resonance, Rock and Roll Globe, Seattle Sound, and The Stranger.
Member: IBEW and SAG-AFTRA.
Saturday, July 9, 2011
Boyz wilb Boyz in William Desmond Taylor's 1920 Adaptation of Huckleberry Finn
Huckleberry Finn (1920)
Friday July 15, 2pm, The Castro, San Francisco
An old maid adopts motherless Huckleberry Finn to "sivilize" his coarse, free-spirited behavior. Her plans are thwarted when the boy is kidnapped by his father, the abusive town drunk. Huck escapes by faking his own murder and befriends a runaway slave. Their tranquil life of rafting on the river is interrupted by two seedy con-men who sell Jim and involve Huck in fraud, while he masquerades as his best friend Tom Sawyer and falls in love.
Missing the satirical bite and social consciousness of Mark Twain's 1885 novel, director William Desmond Taylor's Huckleberry Finn (1920) displays a sentimental fondness for the story in a production that typifies the consistent quality associated with Taylor and Paramount Pictures. Huckleberry Finn is also noteworthy as the first theatrical film version of the book and for Esther Ralston's oldest surviving performance in a feature film, as the object of Huck's affection Mary Jane Wilkes.
The 16th Annual San Francisco Silent Film Festival and the California Historical Society present William Desmond Taylor's Huckleberry Finn (1920), with live musical accompaniment performed by returning pianist Donald Sosin.
From the 1885 edition:
ReplyDeleteNOTICE
Persons attempting to find a motive in this narrative will be prosecuted: persons attempting to find a moral in it will be banished: persons attempting to find a plot in it will be shot.
BY ORDER OF THE AUTHOR
Per G. G., CHIEF OF ORDNANCE