Coverage of the Seattle International
Film Festival and year-round art house
programming in the Pacific Northwest.
Kathy Fennessy is President of the Seattle Film Critics Society, a Northwest Film Forum board member, and a Tomatometer-approved critic. She writes or has written for Amazon, Minneapolis's City Pages, Resonance, Rock and Roll Globe, Seattle Sound, and The Stranger.
Member: IBEW and SAG-AFTRA.
Wednesday, March 21, 2012
Napoleon (1927)
March 24, 25, 31 and April 1, 1:30pm, The Paramount, Oakland
The Eagle of Destiny
The life of Napoléon Bonaparte as the heroic savior of France is revealed from age ten to twenty-seven. Beginning with his boyhood at military school in Brienne, Boneparte is viewed as an outcast and a leader. Emerging as a young officer during the Revolution, the adult Boneparte (Albert Dieudonné) is first seen in Paris at the Club des Cordeliers where Danton introduces La Marseillaise to the mob as their national anthem. Bonaparte then attempts to unify his native Corsica, survives The Terror, becomes the hero of Toulon and embarks on his conquest of Italy.
Directed by Abel Gance, Napoleon (1927) was initially conceived as the first of six chapters on the life of Bonaparte. Cut by MGM from an original 29 reels to eight for its 1929 American release (with von Stroheim's Greed a fresh memory), restoration of Napoleon became the life work of film preservationist Kevin Brownlow in 1954.
Presented by the San Francisco Silent Film Festival in association with American Zoetrope, The Film Preserve, Photoplay Productions, and the BFI, Abel Gance's epic production Napoleon will be presented with live musical accompaniment performed by the Oakland East Bay Symphony with Carl Davis conducting his original score.
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